Ceramics

    Just leave her alone

​《要無止境瘋癲地釣魚》 ,2021​

Ceramics, motor

陶瓷,電動旋轉裝置

Dimensions variable 

尺寸多變


指引:


有魚飛出來的話,請幫忙釣上新魚,讓他繼續旋轉至死。

飛出來/跌進去/旋轉至死

我們只是觀察者和協助者,

我們沒有任何的主導權。

​   *作品曾於"Do a Dear "展覽展出,並歡迎觀眾互動。

   ping!pong!

​《我們每天都在碰撞》,2021​

Ceramics, Toys Components

陶瓷,上鏈玩具

Dimensions variable 

尺寸多變


指引:


請邀請朋友一同為它上鏈,再輕輕放手。

​   *作品曾於"Do a Dear "展覽展出,並歡迎觀眾互動。

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Hey, 別擠過來,2021​

Ceramics, motor

陶瓷,電動旋轉裝置

Dimensions variable 

尺寸多變

  *作品曾於"Do a Dear "展覽展出。

Useless tableware ,2021​

Ceramics, 

陶瓷

Dimensions variable 

尺寸多變

 

Collaboration Project with

Artists:

Ryan Hui, Gigi Leung, Rylee Tsang

During the pandemic, we maintained social distancing, we took a step back and returned home, and returned to the familiar self-cooking life.

 

When you pick up the daily dishes, does all the comfortable eating experience make you wonder about the beauty of this functional ware? What is a good design? There are many ceramic wares in daily life, what is the 100 % perfect food ware? 

 

In the process of creation, we think about what is good and what is bad, hoping to create objects with 10 %, 20 %,30 %, and 40 % perfect.

 

The invention of functional ware is for the convenience of human life, however, some strange and weird designs change the essence of the utensils.....

 

By designing these utensils that are inconvenient for human use, we awaken the different ways of interaction between people and objects as well as question what useful and useless is in this turbulent era.

於疫情中,我們維持社交距離,後退一步回到家中,重回到熟悉的自煮生活。

當你拿起日常碗碟 ,一切舒適的飲食體驗有否讓你不禁感歎器物的美好?何謂好設計?日常生活中有很多陶瓷器皿,那些是你認為100分的器物呢?在創作的過程中,我們透過思考何謂好,何謂不好,希望創作出10分、20分、30分、40分的器物。

器物的出現是為了方便人類的生活,社會的進步不斷改善器物的設計令其更加方便人使用。但有些奇怪荒謬的設計改變了器物的本質,純粹為了方便人類,缺乏基本的人體工學設計。我們透過設計這些不方便人類使用的器物,於這荒亂的時代喚醒人們與物件的不同互動方式 ,如何為有用無用 。

Alone or not《獨與不獨》,2020​

Ceramics, xuan paper, electronic device 

陶瓷、宣紙、電子裝置

Dimensions variable 

尺寸多變

 

"I have been struggling for a long time.

whether the contradictions in the world are destined or not,

whether I want to be alone or not ."

 

"Alone or not" is a series of ceramic installation made of paper clay technique on dried flowers. These devices are about the struggle when Wan Wing Ki, Vicky faced her solitude. She recorded the solitary moments while she was studying abroad. Wan displays the contradictions of being alone through a motion sensor device and used the flower as the media to reflect her feeling. The five plants and the sentences selected from her diary shows the situation and emotion when she was alone. 

 

Do the words want to be read or not?  This is hide-and-seek, Once you come closer, I move, then you could finally find out the clue.

 

「我糾結了很久,

孤獨與否的矛盾終究是不是一個宿命?

就如我渴望被人理解卻又不想被眾人理解 。

又如我想一人而又不想一人。」

 

《獨與不獨》是一系列由紙泥包裹乾花燒製而成的陶瓷裝置。這些轉動的花器是來自尹穎琪對獨處的糾結。她將她在海外交流時的獨處時刻記錄下來,以感應裝置來展示獨自一人時的矛盾,當中重現了日記的細節並重塑當時作伴的五盆花卉,亦以花作媒介盛載日記內的心情。

 

到底文字中一筆一劃是想被閱讀還是不想被讀?

這是一個你追我躲的遊戲,你走近我移動,而此疑惑將透過與觀眾互動來找出解答。

Let Them Eat Cake,2019

Porcelain Ware

​陶瓷

Dimensions variable

尺寸多變

Carrie lam, Her absolute monarchy in Hong Kong and her disconnection with the reality show that she is real Hong Kong, Queen-Carrie Lam. Let them eat cake just like Queen Marie Antoinette.

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If I Die Young  花葬,2019 

Ceramics ,Plants

​陶瓷,植物

Dimensions variable 

尺寸多變

“Welcome to join my dear plants'funeral.”


這是一個葬禮,歡迎請進。

*were exhibited in 《漸》Fading Joint Exhibition in Zurich,Switzerland

Moontain,2019

Collaboration with Maglio Rachele 

Porcelain Ware 

​陶瓷

Dimensions variable 

尺寸多變

'We share the wave and stone, the balloon and tinfoil, Hong Kong and Switzerland.'


我們分享波浪和石頭,氣球和錫箔紙,

香港和瑞士。

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*were displayed in the Apéro project and Group exhibitions in ZHdK,Switzerland. 

Land In Swiss,2019

(Raku Firing In Zurich)

Stoneware 

粗陶

Dimensions variable 

尺寸多變