Installation

Amazing Barrier《荒謬屏障》 ,2020

Acrylic on Canvas ,Carpet, Banner

塑膠彩,帆布,地毯,橫幅

無障礙坡道立牌:140cm x 50 cm

隔陽光屏障:60cm x 60cm

斜坡輔助氈:30cm x 50 cm

Noise Barriers can indeed bring us the sound insulation just as reliable as the Hong Kong government's epidemic measures.

We shall believe in the words of authority and be thankful to the state as well as our beloved government.

屏障的確能為我們帶來隔音的效果,如同香港政府的疫情措施一樣可靠。

我們要相信權威的說話,感謝政府,感謝國家。

 

Abandoned,被遺棄的空間 ,2020

Cement on packing box, fireplace

水泥,包裝盒,壁爐 

Dimensions variable 

尺寸多變

 

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Can't go Back, ,2018

Acrylic paint on foam board

塑膠彩,珍珠板

Dimensions variable 

尺寸多變

 

Can’t go back illustrates a unique way of communication between individual viewers and objects. By selecting different materials to combine and redefine, WAN Wing Ki, Vicky finds the perfect perception of the manhole cover. By participating in the project The Lonely Arts by Yan Yu, each manhole cover can be taken care and treasured in its own viewpoint by various audiences.

《點》描繪了觀察者與對象之間的一種特殊交流方式。通過選擇不同的物料進行組合和重新定義,我重塑巿區渠蓋的面貌,找到了那一個完美合乎我感知的角度。透過參與Yan Yu的《用最溫柔的文字換最孤獨的藝術作品》計劃,各收藏者也能按照自己的觀點找到對他們來說角度剛好的點。

 

 *攤位照為Yan Yu所拍攝

The link 《連結》 ,2015

Acrylic on fabric

塑膠彩,布

Dimensions variable 

尺寸多變

Memories and objects are interdependent. Like lines, they are independent individuals, but they will continue to extend and touch all surfaces of everything. I would like to be the lines to merge with the unforgettable years and sing along with my familiar objects.

 

 

記憶與物件有互相依附的聯繫,像線條一樣,是獨立的個體,卻又會不斷伸延,接觸各面。我願變成線條與那難忘的歲月融成一體,與熟悉的物件一同唱和。

變身 ,2015

Acrylic on fabric

塑膠彩,布

Size:85 x 90cm

尺寸:85 x 90cm

What if I turn the manhole cover to an artwork, would it become beautiful?

如果將渠蓋變成藝術品,它會變得受人喜愛嗎?

似乎將物件變身再冠上名為藝術創作都能讓它革新成讓人喜愛之物。